REVIEW – DVD: “Arab Heat” (Raging Stallion) – REVIEW

- DVD: “Arab Heat: Part 3″ (2010)
- DVD: “Tales of the Arabian Nights: Part 1″ (2010)
- DVD: “Tales of the Arabian Nights: Part 2″ (2010)
- DVD: “Arabesque” (2006)

A DVD Review by Martin Cox ( http://www.mannet.com )

*** Highly, Highly Recommended ***

“Arab Heat” (Raging Stallion Studios)

Web: http://www.ragingstallion.com
Web: http://gay.theater.aebn.net
Web: http://ragingstallionblog.com
Web: http://www.rearstable.com
Web: http://twitter.com/raging_stallion

Director: Tony Dimarco ( http://tonydimarco.com )

C-A-S-T

Antonio Biaggi ( http://antoniobiaggixxx.blogspot.com )
Bruno Bond ( http://brunobond.com )
Damien Crosse ( http://damiencrosse.blogspot.com )
Aybars ( http://bigmuscle.com/140559 )
David Dirdam ( http://bigmuscle.com/14104 )
Adam Killian ( http://twitter.com/killianadam )
Dominic Pacifico ( http://www.djpornstar.com )
Tony Aziz ( http://twitter.com/tonyaziz )
Francesco D’Macho ( http://www.FrancescoDMacho.com )
Alessio Romero ( http://twitter.com/alessioromero )
Like a long drink of cool water after a day’s camel ride in the scorching sun, Part 3 of the “Arabian Nights” series is satisfying beyond belief.

With a cast that is just scrumptious all over, production values that are stellar, and great direction by Tony Dimarco, “Arab Heat” deserves a place in the permanent collection.

Tony Aziz and Aybars are a handsome pair to get things rolling, and with Dominic Pacifico along as their servant and eventual playmate. Tony’s awesome cock escapes the folds of his long robe as Dominic is massaging his legs, and Dominic moves in for a long taste of it, but it is Aybars who pushes the oral scene over the top, fitting both men in his mouth at once. The men then turn to fucking, with Dominic taking both Aybars and Tony in his ass and mouth alternately, but later Tony gets on his back to be fucked by Dominic while Aybars leans over and sucks his cock. The end is as fantastic as the rest of the scene: Dominic just pounds Tony’s ass while Tony jerks off, and then the both Dominic and Aybars spew on Tony, too.

Adam Killian and Francesco D’Macho: What else do you need to know? The blistering heat outside is nothing compared to what these two men ignite onscreen, and even though Adam opens things up alone, and very intriguingly, when Francesco joins him, there is just no tearing your eyes from the scene, especially when Francesco shoves his tongue in Adam’s hole. Speaking of that long, cool drink of water, Francesco delivers it to Adam’s mouth via his pecs and washboard abs, the last drops of it dripping off his uncut cock. The water play continues when Francesco pours it over Adam’s exposed asscrack and hole, and eventually Adam just fucks the hell out of Francesco in a thriller for the ages. There are few pairings in gay porn that can match this duo.

More water features into the next scene, which stars Alessio Romero and Antonio Biaggi. Antonio’s cock is huge, of course, and the water spilling down his front does little to quell the thirst for it that Alessio exhibits in the oral sequence. Fucking is just as watchable, especially when Alessio positions his ass over Antonio’s fat meat and then Antonio just shoves it inside Alessio relentlessly. The two studs lie back and finish off with a pair of riveting pop-shots.

Damien Crosse is sucking on a hookah when his scene begins, and when hairy stud Bruno Bond joins him, he plays the good host and shares it with him. Bruno ups the action by switching off between Damien’s hot cock and the smoking device (well, they are both smoking, as it happens). Bruno eats out Damien’s hairy butthole and then Damien flips Bruno over and fucks him, slamming the dude’s hole with hot uncut dick. Bruno then rides Damien’s cock until he anoints the stud’s chest with a hot load.

More water in this oasis follows: David Dirdam is taking an outdoor shower clad only in a very thin fabric loincloth, then Tony joins him under the water and drops to his knees to suck David’s cock. The two men do some exciting rimming and fucking too, and all the while, the water flows over their bodies. Sometimes, they even splash themselves down with it. In the end, of course, there’s cum splashing everywhere.

DVD features (2-disc set): Chapters; widescreen; solos (Austin Wilde, Derrek Diamond, Aybars, Ricky Martinez and Alessio Romero); bonus scene (from “Raiders of the Lost Arse” with Max Grand, Michael Soldier and Jason Hawke); trailers (“Raiders of the Lost Arse,” “Arabesque,” “Mirage,” “Heat of the Moment,” “Focus/Refocus,” “Lords of the Jungle,” “Grunts,” “Roll in the Hay,” “To the Last Man”); and no regional coding (playable worldwide).

A DVD Review by Martin Cox ( http://www.mannet.com )

*** Highly, Highly Recommended ***

To order – DVD: “Arab Heat” – contact:

Raging Stallion Studios
1155 Mission Street
San Francisco, California 94103 U.S.A.

Web: http://www.ragingstallion.com
Web: http://gay.theater.aebn.net
Web: http://ragingstallionblog.com
Web: http://www.rearstable.com
Web: http://twitter.com/raging_stallion

E-mail: Info@RagingStallion.com
Phone: (415) 503-1969 – (877) 327-0707
FAX: (415) 503-1962

###

A DVD Review by Brent Blue ( http://www.mannet.com )

*** Highly, Highly Recommended ***

“Tales of the Arabian Nights: Part 1″

(Raging Stallion Studios)

Web: http://www.ragingstallion.com
Web: http://gay.theater.aebn.net
Web: http://ragingstallionblog.com
Web: http://www.rearstable.com
Web: http://twitter.com/raging_stallion

Director: Chris Ward ( http://chriswardxxx.com )

C-A-S-T

Alexsander Freitas ( http://alexsanderfreitas.com )
Andre Barclay ( http://andrebarclay.net )
Dominic Pacifico ( http://www.djpornstar.com )
Tony Aziz ( http://twitter.com/tonyaziz )
Francesco D’Macho ( http://www.FrancescoDMacho.com )
Wilfried Knight ( http://smutjunkies.com/profiles/k/i_stars/Knight_Wilfried )
Aybars ( http://bigmuscle.com/140559 )
Conner Habib ( http://www.connerhabib.com )
Angelo Marconi ( http://smutjunkies.com/profiles/m/a_stars/Marconi_Angelo )
David Dirdam ( http://bigmuscle.com/14104 )
Austin Wilde ( http://wildexxx.com )
The hidden truth about Chris Ward’s “Tales of the Arabian Nights: Part 1″ (2010) is that the decorousness of its Middle Eastern flavor is simply an excuse to weave the scenes together. It is actually five unrelated plotless scenes. However, the surface truth of the movie is that it contains some of Chris Ward’s best direction ever, and some of Raging Stallions best scenes ever! It’s a gigantic and opulent movie, but more because of the sex than the trappings.

In something this grand, we might be expecting more than just four twosomes and one threeway. But, expectations melt away in the first scene, to be replaced by the rush of watching some of the most potent and exciting sex imaginable. Frankly, whether the men have a drop of Arab blood in them or not, they have a shared desire to make “Tales of the Arabian Night Part 1″ textbook classic gay porn.

The camera takes us through a screen wall where, amid lush carpets and backed up by the sound of Middle Eastern instruments, we see Alexsander Freitas and Andre Barclay making out. The smaller Andre, with a Mohawk-like hair arrangement and earrings, is like a toy to Alexander, an extremely sexy beast with half of his body decorated by tattoos. Not that Andre isn’t a willing participant, but the opening is driven by Alexander’s colossal lust. He at once shows off (flexing and preening) and dotes (deep kissing and pawing of his own when Andre isn’t doing that).

Alexsander has biceps and abs that could teach exercise courses of their own and he isn’t shy about displaying them. Andre licks around every muscle of Alexander’s upper body and then heads lower for the cock bursting out of Alexander’s loose pants. There he finds yet another perfect body part, a hooked dick that he can relish sucking. Alexsander stays in control, snapping his hips into Alexander’s mouth and also offering up his balls to be toyed with. The visuals of Alexander, standing in a center of light, being blown by Andre, are superb. Chris Ward is giving us visual and sexual brilliance in a stunning package. It’s to Andre’s credit that he’s able to get through an intense face-fuck and do so deep-throating nearly the whole time. Alexsander pushes his mouth to the limits.

In that same pool of light directly in the center of the room, Alexsander bends Andre over and fucks him. Now The Alexsander Freitas Show really kicks into overdrive. Once he knows his cock fits in Andre, he tears off with remarkable speed, giving Andre the true fuck of a lifetime. You can see from the way he clenches his own muscles how much physicality it takes for him to be topping. When the camera is positioned above the action, Alexsander goes wilder, his abs leading the way into a magical ass-pounding that has no sense of boundary. These guys are given a lot of playtime, which means Alexsander can rip into Andre in so many positions with so many styles. But, never does Andre show any signs of fading, making him an equal partner in the wow factor of this scene. It would be easy to give all the credit to crusading Alexander, but Andre’s asshole is the hero of the moment! While Alexsander is at his most outrageous, Andre cums being fucked. Alexander, his body coated in sweat, pulls out to drop a load as well. This scene, in my opinion an instant classic, is just the way to start out a movie — raise the bar so high that no one can dare to perform anywhere underneath it.

The second scene is full of surprises. The rugs are back, but so is a cauldron filled with an endless supply of dry-ice smoke. Off to the side, Dominic Pacifico, one of my personal favorites, is balancing his body over Tony Aziz, about to sit down on Tony’s cock. At the onset” Yes! Tight-bodied Dominic, so handsome and full of vitality, lets his own dick swirl in circles as he bounces energetically on Tony. The first few moments show why no oral is needed: Dominic is possessed by the need to get fucked. He rides, facing away from Tony, with unstoppable ferocity. Now and then, when Tony’s cock slips out of his ass, it’s rammed back in as if Dominic’s life depends on it being inside him. Bearded Tony could easily be content to let Dominic ride and own the scene, but, as in the first scene, no one is allowed to let his guard down so the other guy can steal the scene. Dominic’s success as a bottom stems partially from his chemistry with Tony. He is able to bend backwards so he can watch Tony while bouncing, making sure Tony feels the same pleasure he does. When the camera comes close to the fuck and really watches the intensity with which Dominic can skewer himself, the rush for the viewer is thrilling.

Virtually hairless Tony then takes over the fuck by putting Dominic on all-fours. Dominic’s ability to take a gigantic fuck is proven even more with Tony’s more active assault. The full out and back in blasts are simply amazing. Then Dominic is fucked on his back, Tony’s thick piece still able to keep his body rippling with bursts of ecstasy as Tony continues at an incredible pace. Dominic’s beautiful cum-shot is more deserved than any in the movie.

Wilfried Knight, bearded and handsome as ever, gulps the full length of Francesco D’Macho’s massive uncut cock as the first image of the third scene. Set before a fire, I’m not sure if the glow on these guys is actually coming from the fire or from inside them. Wilfried, thankfully left full of body hair, is a one-of-a-kind performer, an ideal match-up for Francesco, inked dark god that he is, because Francesco loves being worshipped. His loud peals of pleasure at Wilfried’s sublime deep-throat prove that. Francesco, so statuesque and glamorous, is so sexy that he can easily pull focus just to staring at his chiseled physique, but that will not be allowed here. That would undercut the performance abilities of Wilfried, who can suck a dick as well as anyone. When they move to a window, there is nothing else to watch but Wilfried’s deep-throat, and that’s a good thing. Francesco then sucks a momentarily relaxed Wilfried. There’s a look in Francesco’s eyes that belies the simplicity of the moment. He’s about to explode, but he’ll play tempest-in-a-teapot for now. Wilfried rims Francesco, who delights in it so much he sucks his own fingers just so he’s not idle. Wilfried has a joyous time stuffing his face between Francesco’s buttcheeks.

Back at the window, Francesco has escaped the confines of the teacup in order to unleash the tempest in Wilfried’s ass. Here comes the surging throb of insane fucking. Actually, Francesco doesn’t start out that way. Using just his hips and glutes, he fucks Wilfried with an almost loving pleasure, burrowing deep, but giving Wilfried a chance to get used to him. However, when they switch positions so Wilfried is on his back, any sign of sweetness melts away into Francesco’s punishing variably-paced fuck. Now he’s the strongman of the scene, his whole body a part of sending that cock into Wilfried’s ass as deep and as hard as it can possible go. Francesco leaves a glob of cum on Wilfried’s hairy stomach to punctuate the end of the scene.

No doubt of authentic Middle Eastern lineage, Aybars is not a typical of the models surrounding him in this movie. For that matter, neither is his scene partner, Conner Habib. Both are of smaller frame than titans like Francesco D’Macho and Alexsander Freitas. But, we’re about to find out that no matter the look, they fit here ideally. Their soundtrack is actually made of mournful discordant strings, as they are positioned outside. There is a distinct air of quiet passion here, as the two spend a lot of time kissing, oblivious to anything around them. This is the grinding kissing and groping of the first scene, but something more deliberately emotional. With the reflection of light off water glistening behind them, Conner goes down on Aybars, offering up a shattering gulp that Aybars encourages with swaying hips. He has a mighty dick, but Conner has a mighty mouth to handle it. Conner’s focus is terrific, even at the times when Aybars takes control of his dick. I can honestly say I did not expect Aybars to blow Conner, but he does, and he does so wonderfully. He buries his hairy face in Conner’s wild pubes as many times as he can in order to gulp the whole piece.

Aybars then fucks Conner on the steps, sexily pulsating in and out as Conner attempts to reign in his body and keep it still. What Aybars has that makes him so special is his style. His movements are very telling: he rears back, pulling out, with an almost casual ease, and then rams himself into Conner at the last moment. It’s a hypnotic pacing and shows Aybars to be a consummate top. This is my favorite of his styles, but he also has a more standard domination demeanor at times that works just as well. The grunts of Conner are so real, full proof that this is a magnificent fuck. A missionary fuck is actually delivered with caring slowness, just as hot as any of the more rabid speeds. Aybar’s cum-shot is luscious, following a loud pop from Conner.

The finale here is another straight-to-the-ass experience. It actually takes place in the same room as the other anal-only scene. Angelo Marconi is on his back with David Dirdam fucking him. Shot initially from far across the room, what’s most evident is the boiling-point speed David is using. A muscular man of exceptional good looks, he looks like he’s dancing instead of fucking, that’s how rhythmic it is. Angelo, a porn pretty-boy with gelled hair, has his cock pumped by his top, who also manages to lick at his legs, while never losing his ability to fuck with that sexy grinding rippling. David is fiery here, completely devoted to his bottom’s pleasure, be it in his ass, on his legs, on his cock or even on his fingers, which get sucked now and then during the whole process. The fucking gets bigger and bigger, with the two staring at each other to make sure their intense chemistry never flags. Sweat beads start to gleam and by the time David has pulled out to cum on Angelo, Austin Wilde has entered the room. Pay close attention to the seamless way it happens, though. David is kissing Angelo, pulls away for a second and Austin is right there to apply his lips to Angelo before shooting his cock inside Angelo’s ass. David slips away, but the scene doesn’t want to let go of its passion. In fact, Austin builds on David’s speed to supply Angelo with a harsher fuck, what we have come to expect of hulking powerhouse Austin. Angelo seems just as entranced by this top as he did the other, and allows Austin to work him over regally. After what seems a lifetime on his back, Angelo is fucked bent over and at first, I thought I had accidentally hit the fast forward button, for that’s how ferociously Austin fucks his gleaming gorgeous bottom (as sexy as the Middle Easterners are, so are the more typical porn boys like glambomb Angelo). Austin keeps getting inspired to go faster and harder until they return to missionary so everyone cum in the movie’s preferred position.
 
I have to say that I think the Dominic Pacifico-Tony Aziz scene is the key to this movie. I say that because the fuck-only scene is the very essence of the raging snarling testosterone-filled glee with which director Chris Ward obviously wants it filled. To that end, he’s willing to cut out everything but just Dominic getting fucked by Tony. Only the most scorching intensity is allowed in “Tales of the Arabian Nights: Part 1″ and if that means cutting out acres of oral footage to prove it, so be it. When something is this good, it needs nothing else but what it is. The other four scenes are every bit as potent, but the fact that Chris Ward is willing to give us a scene that starts with penetration is the kind of rule-breaking zeal that drives the whole film into the terrain of unyielding perfection.

DVD features (2-disc set): Chapters; widescreen; bonus scene (from “Arabesque” with François Sagat and Huessein); solos (Tony Aziz, Antonio Biaggi and Conner Habib); behind-the-scenes; trailers (“Arabesque,” “Mirage,” “Focus/Refocus,” “Hotter than Hell,” “Lords of the Jungle,” “Stag Fight,” “Stag Reel,” “Hard Friction,” “Passport to Paradise,” “Forbidden Dreams,” “Grunts” and “To the Last Man”); and no regional coding (playable worldwide).

A DVD Review by Brent Blue ( http://www.mannet.com )

*** Highly, Highly Recommended ***

To order – DVD: “Tales of the Arabian Nights: Part 1″ – contact:

Raging Stallion Studios
1155 Mission Street
San Francisco, California 94103 U.S.A.

Web: http://www.ragingstallion.com
Web: http://gay.theater.aebn.net
Web: http://ragingstallionblog.com
Web: http://www.rearstable.com
Web: http://twitter.com/raging_stallion

E-mail: Info@RagingStallion.com
Phone: (415) 503-1969 – (877) 327-0707
FAX: (415) 503-1962

###

A DVD Review by Brent Blue ( http://www.mannet.com )

*** Highly, Highly Recommended ***

“Tales of the Arabian Nights: Part 2″

(Raging Stallion Studios)

Web: http://www.ragingstallion.com
Web: http://gay.theater.aebn.net
Web: http://ragingstallionblog.com
Web: http://www.rearstable.com
Web: http://twitter.com/raging_stallion

Director: Ben Leon

C-A-S-T

Steve Cruz ( http://SteveCruzXXX.com )
Aybars ( http://bigmuscle.com/140559 )
Wilfried Knight ( http://smutjunkies.com/profiles/k/i_stars/Knight_Wilfried )
Damien Crosse ( http://twitter.com/damiencrosse )
Derrek Diamond ( http://derrekdiamond.blogspot.com )
Ricky Martinez ( http://smutjunkies.com/profiles/m/a_stars/Martinez_Ricky_121027 )
Tony Aziz ( http://twitter.com/tonyaziz )
Antonio Biaggi ( http://antoniobiaggixxx.blogspot.com )
Angelo Marconi ( http://smutjunkies.com/profiles/m/a_stars/Marconi_Angelo )
David Dirdam ( http://bigmuscle.com/14104 )
R.J. Danvers ( http://twitter.com/rjdanvers )
Austin Wilde ( http://wildexxx.com )
For “Tales of the Arabian Nights: Part 2″ (2010), it would seem that we are switching courses from the first now that Ben Leon is directing. Ben’s portion is so much like the other that the two parts create a seamless whole, divided merely by the space allowed on a DVD. The second part has the same brimming voluminous dedication to all-out sex. Many models are used in both parts, which helps to make sure the levels of perfection are completely equal.

Wisely, the second part starts out with a match-up of veteran and newcomer. The vet is Steve Cruz, one of the most able of all porn stars. The tattooed bearded hottie wanders over to a fountain where Aybars is sitting, waiting with the attention of a man at a glory hole. He’s even hard already. Steve and Aybars kiss and paw, both enjoying each other’s hairy physiques. One of Steve’s best qualities is his ability to build intensity, and he does that from the onset by never letting Aybars escape his gaze. Let the camera wander around their bodies, that’s what it’s there for! They rub their cocks together and keep macking as they lose the last vestiges of their clothing. Then comes the body worship. Steve and his tongue head down to Aybars’ cock where Steve sucks with his customary focus, maintaining eye contact when he dives into a deep-throat or juggles Aybars’ balls with his tongue.

Aybars tries to wrest control of the blowjob from Steve, but that’s an impossible task, so he finally relaxes and just enjoys it. Aybars sucks Steve too, and if it’s not with the same level of technical skill, it does match in the desire department. After a bit more kissing, Steve gently bends Aybars over the fountain for some ass-munching. Aybars is hairy at the hole and Steve seems in heaven licking. It only takes a few moments and then Aybars is returning the favor with a flicking tongue. The royal match-up arrives when Aybars fucks Steve. Steve, a most willing bottom to anyone with a large cock, takes a hearty thrusting from Aybars, who has no problem getting in deep. The scene has a fleetness to it, so that Steve is soon riding Aybars at a clip pace, making sure Aybars’ entire dick is always fully inside him. Steve helps by jiggling his body around as Aybars thrusts upward. They get a lot of mileage out of Steve’s bouncing, both forwards and backwards, until going missionary. Eyes wide, Steve cums with Aybars still going and then Aybars pulls out to finish.

Scene two is a heaven-sent mating of stalwarts Damien Crosse and Wilfried Knight. Damien, ever gorgeous in his ink and hair, is manning the hookah, which has both men sporting boners quickly. Wilfried, as elegant as porn stars come, pushes aside the gadget so he can taste Damien instead. He tastes his mouth and chest and then lets Damien do the same to him. Damien sucks first, taking the full length of Wilfried’s cock with effortless fun, causing Wilfried to gyrate all over the place. They each spend time licking each other’s pits before Wilfried gets to suck Damien’s fantastic uncut piece. Perfectly straight, it’s still huge and challenging, but Wilfried is a pro and willing to gag himself taking a hearty face-fuck from Damien. When it’s time for ass play, Wilfried has Damien bend in half so he can plumb the depths with his tongue and fingers. It’s wonderfully filmed, both at the scene of the action and at Damien’s face, which shows some priceless reaction shots. Wilfried’s ass is ever a treasure and Damien treats it as such when he rims, poking with a probing tongue. The back-and-forth between the guys is what drives this scene. No one is a statue. To that end, it’s Wilfried who fucks Damien, completely defying expectations, and he does it remarkably well. He uses a scooping motion, alternating it with some jackrabbitting, and all of it fills Damien’s hole to satiation. Helpful is when Wilfried bends over to kiss Damien, keeping their strong chemistry vigilantly intact. They change places one last time so that Damien can grind about in Wilfried’s ass. This is where the two are more comfortable and Damien tops Wilfried with his animalistic best, the music reflecting the mood by soaring wildly. Damien’s cum-shot is a beautiful ending to a terrific scene.

The sound of rain is soon drowned out by the sound of kissing when youthful brunet Derrek Diamond approaches resting Ricky Martinez, a succulent Latino man lightly bearded, and starts a major make-out session. As the two grind, Derrek takes some opportunities to start licking lower down Ricky’s body, but then it’s Ricky who calls Derrek’s teasing bluff and blows Derrek. Derrek’s long dick is a sucker’s dream, and Ricky works it with his mouth and hand. He’s less talented an oralist than his fellow castmembers, at his best either licking dick or playing with Derrek’s balls. This brisk scene moves right along to Derrek fucking Ricky. Ricky’s ass is tight, and it takes Derrek some time to get his bottom used to his size, as inch by inch manages to slowly disappear inside. The stronger and more forceful Derrek gets, the more comfortable Ricky actually looks, until Derrek can sock him with exciting power and expect roars of approval from Ricky. The fuck remains fairly workmanlike throughout, though I will say that Derrek has never looked sexier than when he fucks Ricky missionary and shows off his sensational abs. By the end of the fuck, Ricky is bent almost in half, allowed to untuck only when he’s ready to cum, quickly followed by Derrek.

A grand spectacle orgy finishes off “Tales of the Arabian Nights: Part 2.” Alone in a room is handsome hairy David Dirdam, stroking himself and looking mouthwatering doing it.

Antonio Biaggi enters, showing off another of the film’s perfect bodies, making out heatedly with David. Antonio pumps David’s dick, but it’s his own double-digit mammoth piece that is the first to be gobbled, as David works it happily. Then Angelo Marconi arrives, as handsome as a dream. David blows this hunk upside down, with Antonio now chowing down on David’s impressive pecker. Tony Aziz, with short-cropped hair and yet another beard, is next, not at all daunted when he finds his task is to suck Antonio. He unleashes a torrent of spit and goes for broke, giving a magnificent blowjob to Antonio, doing the same to David doing the same to Angelo. Late, but welcome, is R.J. Danvers, a pale hairy guy who goes immediately to Angelo while Antonio and David are reeling off the scene’s most major heat just by kissing. Don’t forget about Tony, sucking the biggest cock and doing it so well. The last to arrive is Austin Wilde, who offers up his cock to R.J. as well. R.J. has a grand time working those two, while Antonio’s dick is shared by David and Tony, drizzling spit and meeting as they chase it up and down his massive meat.

Antonio busies himself by 69ing. The amount of dickflesh in this room is staggering, but thankfully everyone is hungry and ready for it. Antonio, Tony and David do the best work, especially Tony, who is finds himself flat on the table while everyone drops their cocks onto his face. He goes from one to another with brilliant acumen. Antonio’s dick is often the focus of double sucking, understandable given its peerless size. Oral orgies do not come better presented than this one. It’s a total winner.

But, they can’t suck forever! Not these guys. R.J. and Angelo are the bottoms. R.J. takes it from the biggest first, handling all of Antonio with total ease. He even smiles as he’s fucked, looking so relaxed as Antonio does him. Tony follows in R.J.’s hole, which is wide open from Antonio. Angelo is first done by Austin (with the same excellent results they had in this same room in the first part of “Arabian Nights”). Antonio and Tony take turns in R.J., but Austin doesn’t easily cede control of Angelo’s ass, though he does share with David. The bottoms are positioned so they can turn their heads and kiss, connecting the six. R.J. is really the more winning bottom, getting such a splendid workout from his two tops. Austin and David certainly work Angelo over too, but R.J. gets more camera time. He’s still playing bottom when everyone else stands over him to douse his hairy torso with their spunk blasts.

DVD features (2-disc set): Chapters; widescreen; interview (Chris Ward); bonus scenes (from “Arabesque” and “Mirage”); solos (Tony Aziz, Antonio Biaggi and Conner Habib); behind-the-scenes; trailers (“Raiders of the Lost Arse,” “The Best of Tom Vacarro,” “Hairy Boy 15,” “Caliente,” “Casa del Sol,” “Humongous Cocks #1-#4,” “The Trap,” “The Visitor,” “Unloaded,” “Port of Entry,” “The 4th Floor” and “The 5th Floor”); and no regional coding (playable worldwide).

A DVD Review by Brent Blue ( http://www.mannet.com )

*** Highly, Highly Recommended ***

To order – DVD: “Tales of the Arabian Nights: Part 2″ – contact:

Raging Stallion Studios
1155 Mission Street
San Francisco, California 94103 U.S.A.

Web: http://www.ragingstallion.com
Web: http://gay.theater.aebn.net
Web: http://ragingstallionblog.com
Web: http://www.rearstable.com
Web: http://twitter.com/raging_stallion

E-mail: Info@RagingStallion.com
Phone: (415) 503-1969 – (877) 327-0707
FAX: (415) 503-1962

###

A DVD Review by Butch Harris ( http://www.mannet.com )

*** Highly, Highly Recommended ***

“Arabesque”

(Raging Stallion Studios)

Web: http://www.ragingstallion.com
Web: http://gay.theater.aebn.net
Web: http://ragingstallionblog.com
Web: http://www.rearstable.com
Web: http://twitter.com/raging_stallion
Director: Chris Ward ( http://chriswardxxx.com )

C-A-S-T

Huessein ( http://www.HuesseinXXX.com )
Remy Delaine ( http://www.RemyDelaine.com )
François Sagat ( http://www.FrancoisSagat.com )
Manuel Torres ( http://ManuelTorresXXX.com )
Sarib
Colin West ( http://smutjunkies.com/profiles/w/e_stars/West_Colin )
Cory Koons ( http://smutjunkies.com/profiles/k/o_stars/Koons_Cory )
Iván Andros ( http://smutjunkies.com/profiles/a/i_stars/andros_ivan/
Dario Granada
J.C. a.k.a. Juan Carlos
Joey Milano ( http://smutjunkies.com/profiles/m/i_stars/Milano_Joey )
Joey Russo ( http://smutjunkies.com/profiles/r/t_stars/Russo_Joey
Michael McElhaney (non-sexual)
Michael Soldier ( http://smutjunkies.com/profiles/s/o_stars/Soldier_Michael )
Brendan Austen ( http://smutjunkies.com/profiles/a/t_stars/Austen_Brendan )
Marco Montana ( http://smutjunkies.com/profiles/m/o_stars/Montana_Marco )
Bryce Pierce ( http://smutjunkies.com/profiles/p/i_stars/pierce_bryce
Simon Cox ( http://smutjunkies.com/profiles/c/o_stars/Cox_Simon )
Jeff Allen
“Arabesque” (2006) is director Chris Ward’s masterpiece, a truly outstanding effort. The men, to a man, are exceptional masculine specimens, sexually voracious and overwhelmingly effective throughout a three-hour carnal tour of male sexuality in the desert. The flick takes place in a mystical Middle Eastern land, and many of the men appear to be Arabian (Huessein, François Sagat, Sarib), though some are closer to Spanish blood (Iván Andros, Manuel Torres, Joey Milano, J.C.). No matter, they all have the look. And the look and feel of the flick is quite authentic, with woven baskets, Persian rugs, embroidered pillows and the like strewn in and about the Mediterranean-style structure in which the action takes place (as well as the between-the-scenes interstitials — brief clips from Rudolph Valentino’s “The Sheik” and “The Son of the Sheik,” silent movies of the 1920s). This stagecraft and the background music set the mood for sex that far exceeds the high-noon temperature of the Sahara desert. The costumes, save for a male belly dancer, are the diaphanous, loose-fitting pants of the region.

The opener takes place in an open-air marketplace where hot Arabian men buy and sell goods. Huessein, Sarib, Colin West, Joey Russo and J.C. trade goods of a different sort soon enough, trading blows in every conceivable combination. This oral segment really showcases Huessein, Sarib and Joey, all incredible cocksuckers. Huessein then focuses, understandably, on Colin’s creamy bubble-butt, smacking the hole, licking the hole, sucking the hole, and then fucking the hole mercilessly (Huessein, it seems, doesn’t know how to fuck any other way, as his later scenes also prove). Colin cums being doggy-fucked, and we segue to Sarib fucking Joey, Sarib fucking Joey atop a Persian rug, giving the hung stud a magic carpet ride he’ll likely remember for a long time. Joey’s legs are pinned to the floor as Sarib pumps and pumps and pumps. Joey jerks out his cum-shot, then Huessein pounds Sarib’s furry hole, and Huessein is a harsh fucker, he rams Sarib missionary at jack-rabbit speed and with the force of a jack-hammer. He fucks the cum out of a very enthused Sarib, and then douses Sarib’s crotch with his load. But Huessein is still not finished — he sucks lean and hairy J.C.’s beauty of an uncut dong. Then Huessein takes charge again, and delivers another round of prime fucking, fucking J.C. until the sun sets.

We move inside to the sheik’s grand palace. And deep inside the palace, in a small chamber decorated with colorful carpets and stone columns, Remy Delaine, stands in embrace with Cory Koons. They kiss and caress as their cocks grow to full attention, and Remy’s is spectacular, a simply huge cock, with lotsa tasty foreskin. Pants soon drop and Cory goes down on Remy’s giant cock, servicing Remy with his small mouth. Remy flips him over and fucks Cory senseless, and Cory cums while being fucked, Remy drenching Cory’s nuts with his load. There is an interlude (a palate cleanser of sorts) with show-stopper Manuel Torres in a solo sequence where he shows off his fine manly frame, long dick and hairy hole for the camera and then shoots his load. Cory returns, this time with smooth cutie Dario Granada. Cory services the hung stud’s long, perfectly shaped uncut cock, and then gets the cum fucked out of him by Dario’s deep thrusts.

To me, the Turkish bath scene is above and beyond spectacular, it is my single favorite Chris Ward-directed scene ever (and I think I’ve seen every scene he’s ever made). It is dark outside, and the moon is shining brightly against the Saharan sands. Huessein and François Sagat pour water over each other in a sensual bath. Framed in a huge archway with massively thick walls, these massively built men explore each other’s bodies. François is just about as gorgeous as a man can be in my book without being too pretty, and Huessein is he-man personified with hair and muscles to spare. The chemistry here is off the fucking charts, Huessein sucking down François gigantic cock with aplomb (and no gag reflex). François does likewise on Huessein’s always-hard bone, and then Huessein fucks and rims François’ ass in several positions. I have rarely seen sex between two men so intense, so intimate, so well captured. Wow.

Remy Delaine and Iván Andros hook up next, and Remy sucks down Iván’s cock as Iván toys with Remy’s ass, spreading his fluffy cheeks and tasting his hole. They fuck in four glorious positions (the hottest of which is reverse-cowboy, Remy’s enormous hooded penis flopping about as Iván thrusts upward into his arse). Remy rides Iván forever as the energy builds to climax (Iván is an amazing, hard-fucking top, strong and steady). The cum-shots are sublime.

The finale is in the dance hall of the palace of a grand Oriental potentate. Soaring fifty feet high, the room is surrounded by stone arches on two levels. Deep red carpets hang from high above, and the sky itself is filled with candle lanterns, shimmering like stars. Following the floor show by the aforementioned belly dancer (Michael McElhaney), Manuel Torres, Huessein, François Sagat and Joey Milano enjoy each other, dicks out and hard. Each man is paired with the others for cocksucking, and the fucking between Manuel Torres and François Sagat is the highlight of the first half of the scene, Manuel really pounds François, and the second half features Huessein really pounding Joey Milano. They all splash out impressive loads to end a most impressive scene and one helluva motion picture.

ADDITIONAL SCENE No. 1: “The Pharaoh’s Tomb” ["Raiders of the Lost Arse" -- Jeff Allen, Simon Cox and Bryce Pierce]: Jeff Allen makes it into a tomb. It is pitch-dark until he brings some light down below. Underneath 20-foot-high statues of Ramases II and other artifacts, he looks around, and innocently touches a stone figure of Simon Cox, a muscular black man with several piercings, including a sizable nose ring. The touch brings Simon to life, and the two briefly tussle. Jeff wins, however, and lays Simon flat, ass open, and starts pumping him to celebrate his return to life. Simon’s ass is a vacuum, taking Jeff’s fat dick and begging for more. Jeff’s dick is a big bulb that slams hard into his bottom. But lurking in the background, Bryce’s mummy, all wrapped up, awakes himself, and walks up and knocks Jeff out. A bit of jealously, perhaps? Bryce takes over Simon and screws Simon himself, just as penetratingly. These two are both butch and pierced on many a body part. Taking a fuck break, Bryce lubes up and sticks his hand way up Simon’s open ass. He fists him so thoroughly Simon’s innards almost pour out. They re-position the naked Jeff so that his manly ass is arched out. Slowly Bryce sticks his entire hand up there. It’s an erotic scene, due to the sheer butchness of Jeff. Jeff stands up straight with Bryce’s fist up his ass, hardly seeming to notice, and jacks off his load.

ADDITIONAL SCENE No. 2: “The Sultan’s Tent” ["A Porn Star Is Born" -- Michael Soldier, Brendan Austen and Marco Montana]: As the scene opens, Michael Soldier and Brendan Austen are on a porn movie set exchanging a few lines of dialogue. Brendan is an Australian muscle hunk with smooth pink skin and a pretty uncut pecker. They then exchange kisses and blows, and just as they’re about to begin the fucking, the director, Marco Montana, joins them. Marco is a macho guy with a club of an uncut cock that Michael and Austen feast on. What’s more, Marco enjoys their cocks, too, helping the proceedings along nicely. Austen and Michael then take turns fucking each other as Marco continues to feed them cock. Austen fucks the cum out of Michael, Marco squirts a load that sprays out like a lawn sprinkler, and Austen pops last, covering Marco’s tummy in goo.

DVD features (2-disc set): Chapters; widescreen; making-of documentary (with extensive behind-the-scenes footage, hosted by director Chris Ward); on-the-set walk-around and interviews (Tim and Roma of NakedSword.com tour the set and interview several cast and crew members); interview (Taurus interviews François Sagat); TV clip (Remy Delaine tours San Francisco with QTV’s Nick Oram); trailers (“Hard as Wood” and “Passport to Paradise”); and no regional coding (playable worldwide).

A DVD Review by Butch Harris ( http://www.mannet.com )

*** Highly, Highly Recommended ***

To order – DVD: “Arabesque” – contact:

Raging Stallion Studios
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San Francisco, California 94103 U.S.A.

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